A Timeline That Keeps Up

A main video track, overlay tracks and title tracks, up to three music lanes and a dedicated voice-over lane. Clips pack tight with no accidental gaps, trims and deletes tidy themselves, and whole projects can nest inside a film as a single clip.

Six Rooms, One Studio

Home, Edit, Color, Sound, Td3D and Export — each job gets its own workspace, built for that job alone. Multi-camera cutting for up to four angles is built into the Edit room.

Your Footage Stays Home

Everything runs on your own PC — editing, grading, mixing, 3D title renders, even the captions. Your clips are never uploaded anywhere, because the studio never needs them to be.

Color With Real Tools

Camera color science for 13 camera profiles, curves, HSL, four color wheels and live scopes, your own .cube LUTs, and Blackmagic RAW support with full-quality exports — across six color spaces.

Sound Like a Studio

A four-bus mixer with EQ, dynamics and noise reduction, loudness measured and normalized to broadcast targets, voice-over recorded straight onto the timeline — and true Dolby 5.1 surround when the project calls for it.

Speaks 10 Languages

English, Spanish, Portuguese, French, Italian, German, Polish, Tagalog, Korean and Chinese — the whole studio, fully translated. Exports run up to 4K in ten formats and every size from vertical phone to cinema ratios.

Chroma Key Pro

Studio-grade green-screen keying with fractional-alpha matting and screen-color unmixing. Fine hair and soft edges keep their detail instead of turning to mush, and the key color is lifted out of the edges so your subject sits naturally in the new scene.

Anamorphic Pro

The anamorphic look, done properly: horizontal streak flares drawn from the highlights, focus-aware oval bokeh, and cinematic edge and barrel treatment. It works on main-track clips and overlays alike, per clip, with its own controls for strength, threshold and tint.

God Rays

Light shafts with a real sense of direction. Click to aim the source, then shape the angle, length, softness and warm-to-cool tint, with dust drifting inside the beam.

Honest note, same as in the app: the shafts are drawn from your picture's own highlights — a crafted effect, not true volumetric light.

Color Correction Pro

A 14-stage grading pipeline in true processing order — camera color science, exposure, curves, wheels, vibrance, film, file LUTs, HSL, skin tones and qualifier — with a bypass on every stage and a mix control on ten of them. It reads and writes the same grade as the built-in Color page, so the two never fight.

Title Dorado 3D

Real 3D titles rendered on your graphics card: beveled metal lettering in gold, silver, rose gold or chrome, five fonts and seven bevel styles — plus a full 3D scene studio with objects, particles and camera moves. Finished renders drop straight onto your timeline.

15 Film Stocks

Fifteen film-stock looks inspired by the classics — the color, the real grain and the warm halation glow around highlights — dialed in per clip with a single amount control.

Surround Room

A top-down Dolby 5.1 mixing room. Place each bus — main, overlay, voice, music — with a draggable puck, watch the 3D speakers glow with the real sound at the playhead, and export true AC-3 surround.

Auto Music

On the way: drop in a song and it re-edits itself to your film's exact length — cut at the beats and section changes, with a proper ending — plus original music beds generated to length in the mood you pick. Nothing to license, ever.